We know you’re tired from the joyful depravity of yester-week, but strap down those light-up Velcro sketchers and get yourself prepared for another 7 days of endless art and music in the Paris of the West.  

Upcoming events (March 12-19)

313 Day at The Station

Michigan Central Station

March 13

  $15

Embrace the city you love and hold it tight, or twirl it around, as you party in a piece of history this 313 day at Michigan Central Station. World-renowned DJ, Waajeed, is turning the building into an instrument of its own as house and hip-hop resonate off the limestone and into your bones.

The set begins at 6 p.m. and ends at 10 p.m., so as long as you can keep your eyes wide, you’ll be just in time for our next events. 

LA DISCOTECA 

Tangent Gallery

March 13

$20

The ear canal isn’t just a means of hearing; it’s a portal into another place and time. This Friday, transport yourself to Bogotá at the Tangent Gallery. DJ RUIZ OSC1 is spinning deep vinyl mixes that blends Colombian salsa with entrancing electronic drumlines, and if you’re one of those people who feels the need to step away from the party for a moment, feel free to check out the artists Tangent has sprawled across the walls. The event starts at 9 p.m. and goes until 3 a.m.

Piano Party 

Big Pink

March 13

$23

If your soul doesn’t long for Latin American melodies, maybe you’re feeling more drawn to the sounds of South Africa. This Friday, get ready to immerse yourself in the warmth of Johannesburg rhythm with DJs Yung D, Blakito and Ivy as they make the turntables erupt with Afrohouse, Amapiano and Gqom. The event starts at 10 p.m. and goes until 2 a.m. 

City of Stars 

2529 Orleans St. Detroit, MI

March 13

$10

Skate over to Eastern Market for the City of Stars art exhibition to view the works of local artists Sheefy McFly, Tony Whlgn, Phil Simpson and more, while you sip a cocktail and enjoy some barbecue. Four art pieces will be raffled off at the end of the night. Tickets to enter are $5. The event starts at 6 p.m. and goes until 12 a.m. 

Street Wear Art Market 

Detroit Shipping Company 

March 13

Free

Now, if you’re looking at all these options for 313 day and thinking to yourself, “man, I want to pop out tonight, but my outfits look like they were curated by a colorblind 5-year-old,” don’t worry, we’re here to help. Support local fashion and get yourself right at Detroit Shipping Company’s street wear art market, featuring artists ZekeDidIt, Artnuttz, Crushed Velvet Collection and more. Take the opportunity to network and grab a brew while you contemplate which hat fits the night’s vibe. The event begins at 4 p.m. and goes until 9 p.m. 

Darcy Moran 

The Crofoot

March 14

$23

Take a hike out to Pontiac to see emerging metro Detroit rock band Darcy Moran with openers Fremont Pike, Times New Roman and Travesty. Call an Uber, grab a few drinks and support the musicians that help make Michigan great. The event begins at 6 p.m. 

American Aquarium  

The Sanctuary

March 18

$33

That being said, if you were looking to combine your urge for rock with a bit of country twang, we’ve got the drop on that, too. North Carolina’s own American Aquarium is performing in Hamtramck next Wednesday, so make your choice, cowboy boots or Vans and make your way down The Sanctuary for some southern revelry. The show begins at 7 p.m. 

The Sounds of Laurel Canyon 

Orchestra Hall

March 13 -15

$21

But, if you’re more of an old soul and you’re looking to escape to the sweet sounds of 60’s and 70’s California rock, be sure to take a trip over to the Detroit Symphony Orchestra this weekend. Led by conductor Jeff Tyzik, the DSO is going to be enveloped in the music that made a generation of peace and love, featuring hits from The Eagles, The Doors, Fleetwood Mac and more. The event begins at 8 p.m. on Friday and Saturday, with a 3 p.m. show on Sunday.  

St. Patrick’s Day Parade

Michigan Ave, Corktown

March 17

Free

You didn’t think we’d really forget St. Patrick’s Day, did you? Well… maybe afterwards, but we’ll cross that four-leaf clover when we come to it. Grab your shillelaghs and keep a pint in your pocket as the city gathers to celebrate the Irish. The parade begins at 1 p.m.

Whether you’re a fan of country, EDM or hardcore, we’ve got you covered this week with some of the wildest events the city has to offer, and maybe even a place to improve your wardrobe in preparation.

Upcoming events (Mar. 5 to Mar. 12)

Michigan Sneaker Xchange 

Huntington Place 

Mar. 7 

  $30

I’d say, “run over to Huntington Place,” but we wouldn’t want you to crease your 3’s before this event even begins. The Michigan Sneaker Xchange is back once again with over 150 vendors dealing out everything from daily beaters to your lifelong grails. Buy, sell and trade your way from those dirty air forces to a pair of deadstock purple lobsters; those without a booth are allowed to bring up to 4 pairs. This event runs from 12 p.m. to 7 p.m. 

The Sound of Music 

Fox Theatre 

Mar. 5 – Mar. 8

$38+

The hills are alive and romance has filled the air in Detroit this month. Time travel back to your childhood and embrace the drops of golden sun at the Fox Theatre this weekend for a performance of Rodgers and Hammerstein’s critically acclaimed The Sound of Music, directed by three-time Tony Awards winner Jack O’Brien. Doors open at 7 p.m. and the show will begin at 7:30 p.m. 

Classical Roots Concert 

Orchestra Hall

Mar. 6 – Mar. 7 

$26

Swathe your ears in the silk of symphony at the 48th Annual Classic Roots Concerts hosted by the DSO. Since 1978, the DSO has held this event as a spotlight to better appreciate the works of black composers. The event is premiered by Kenneth Tomkins, commemorating the experiences of the enslaved and abolitionists upon the Underground Railroad with his spirited moving concerto. The Friday performance will be at 10:45 a.m., with Saturday night’s performance starting at 7:30 p.m. 

DCFC Kit Unveiling & Afterparty 

Big Pink

Mar. 5

$23

Grab your cleats and head over to the East Side as the Detroit City Football Club gets ready to reveal their new uniforms and make you hit your signature celebration moves on the dance floor. Earlier in the evening, there will be pickup soccer games, food vendors, drinks and more. Later, the kids are gone and the party goes on as DJs Sheefy McFly and JMT juggle the decks…just make sure not to take a dive. 

Midwest Freaks 

Tangent

Mar. 7

$35

Unleash your freak and shake off those conformist notions like a dog in a tick-riddled field this weekend with some of the most debaucherous DJs Detroit has to offer. This is the third city Midwest Freaks has taken on in its crusade to liberate the self-doubting traditionalists of the Rust Belt, although maybe it’s time you hedonists show them a thing or two about the beautiful anomaly we call our city. DJs include Rrose, BMG, Centrific and more. The event starts at 9 p.m. and goes until 6 a.m., so stay hydrated you night owls.  

Cuffing SZN 

Big Pink

Mar. 7

$23

Follow the pink neon glow over to Big Pink this Saturday and make sure to bring your partner or be prepared to find one; DJ MOCHI and Fullbodydurag are spinning R&B tracks until your heart looks like the Grinch’s post-Whoville Christmas carol. The event starts at 10 p.m. and ends at 3 a.m. 

Panda House 

The Sanctuary

Mar. 6

$22

Make sure to keep a piece of bamboo on your person this weekend because Panda House is bringing the zoo to The Sanctuary. The Detroit-based hardcore band is playing a set alongside Hail Your Highness, Brown Maple and Great Planes. The event starts at 7 p.m.  

Stephen Wilson Jr. 

The Fillmore

Mar. 11

$53+

Envelop yourself in Americana next Wednesday with a performance by emerging country/rock sensation Stephen Wilson Jr. The Indiana native is hitting our city as part of his Gary the Torch Tour and believe me, you’re not going to want to miss this baseball-capped guitarist’s rise to fame. Doors open at 7 p.m. and the show begins at 8 p.m. 

The music landscape has changed a lot since the turn of the 21st century. Not just styles, but how we consume music. Nothing illustrates that better than the rise of the indie music scene.

In his new book Such Great Heights: The Complete Cultural History of the Indie Rock Explosion, Stereogum managing editor Chris DeVille looks at how changes to TV, the internet, and the record industry fueled the rise in early ’00s indie music.

DeVille talks with WDET’s Russ McNamara. Click on the link to listen or read selected excepts below. 

The following interview has been edited for length and clarity.

RM: So why write this book?

DeVille: There’s many different sort of through lines that are being traced here. One of them is technology. It’s a subject that I think is really complex and really fascinating, and it involves a lot of my favorite music ever.

This stuff that has been kind of chronicled and debated online for years in blog posts and social media posts and a lot of the documentation of it is starting to disappear, because websites just go offline, or people delete their social media accounts. And so I wanted to create a little bit more permanent record of some of these things that happened—some of the ways that these bands broke through, some of the conversations that were being had around this music.

One reviewer compared it to like a yearbook that you look back at and you get some fond memories, and you get some cringe, but yeah, it’s kind of like a history of my listening as an adult.

Russ McNamara, WDET: In the book, you mention the TV show ‘The OC’ which was a popular teen soap opera in the early ’00s. How much did that show’s soundtrack play into the rise in indie rock?

Chris DeVille, author of “Such Great Heights”: I was surprised as I was writing the book, how much it became like a shadow history of the evolution of the Internet over the last couple of decades. And you know The OC thing, it’s like they’re putting these bands in front of a much bigger audience. Like Death Cab for Cutie is like a fairly obscure band at the time, and then this character on this popular teen show is like making his whole personality that he loves Death Cab for Cutie.

It’s like giant platform, but then they lose cool points with some people, as you know, sort of a more norm-y audience discovers this band, but it’s definitely, there’s no doubt that it was a huge like funnel, bringing a bunch of bands to a much broader audience

RM: What about the added accessibility of file sharing sites like Limewire and Napster?

CD: Whatever platform you were using to pirate music I think contributed to the accessibility of stuff. Stuff could blow up, even if it didn’t fit into a particular radio format, or it wasn’t getting past the MTV gatekeepers. It didn’t have to fit into any existing niche or existing format to blow up. It could just catch fire and go viral on these file sharing servers.

I mean, the same thing was still true when iTunes came in and kind of formalized and commercialized the process. You could still have a song that people would download it like crazy.

RM: Which indie bands benefitted the most from this setup in the early 00’s?

CD: Arcade Fire was definitely the biggest. The other dimension that I talk a lot about in the book, is Pitchfork. And just like the power that Pitchfork had to make or break someone’s career. If they gave something a 10.0 people were just going to jump on it and worship it. And if they kind of talked smack about a particular band or completely panned a band, then there were instances where that basically ended someone’s commercial prospects. And so like Arcade Fire were like the perfect storm.

RM: So where is indie rock at now? Is it dead? Does the genre really mean anything anymore?

CD: Over time, indie became like more of a genre, and then the genre itself started to change. But I think what we saw happen in the 2010s is sort of like the indie goes pop thing. It was like a bubble, and it really did pop. We still have these sort of like boutique pop stars like Clairo.

We had artists that came out of the indie world become pop stars of a sort because of stuff like Tiktok. Like Mitski is a good example of that where she’s coming from, from the indie rock infrastructure, and she is making music that jumps across genres a little bit.

There’s a hunger for bands that have a little bit more of an edge to them, that are a little bit less smooth, a little bit willing to be weird or noisy. That’s what you see with a lot of the biggest indie bands today – ones that have gone against that sort of, like Spotify-friendly, passive-listening experience. There’s now a hunger for music that’s a bit more abrasive, something that will jolt people out of their stupor.

Music wants to evolve. It wants to find new audiences. And so the whole idea of like, gatekeeping and having the right audience versus the wrong audience, like, that’s something that factors into the book too.