What’s happening Detroit! Chris Campbell from The Progressive Underground and it’s time for our Pick of the Week. This week’s pick comes from eclectic South London British Nigerian artist Obongjayar, who has built a reputation of fusing afrobeat and electronica to great effect.

He has been working on an album set to drop this month titled “Paradise Now,” which will feature cameos and collaborations with UK rapper Little Simz and artist/producer Kwes. We’ll check out the leadoff single, which is a laid-back musical ride packed with swagger and energy called “Sweet Danger,” and its my Pick of the Week.

That was Obongjayar with “Sweet Danger,” the lead-off single from his upcoming album “Paradise Now.” If you dig elevated vibes like this, tune into the Progressive Underground every Saturday evening at 6 on 101.9 WDET where we drop an eclectic weekly mix of future soul, afrobeat, electronica, b-sides and rare grooves, curated just for you. For the Progressive Underground, I’m Chris Campbell and we’ll see you next time.

Love poured out onto the corner of 7 Mile and Revere Street on Friday, May 16, as the city of Detroit honored one of its most gifted, generous and influential musical sons: Joseph “Amp” Fiddler.

In a ceremony filled with rhythm, reverence and raw emotion, the city officially unveiled Amp Fiddler Avenue, permanently inscribing his name on the very block where so much of his magic was made.

It was the centerpiece of the second annual Amp Fiddler Day, a now-official recognition established by the Detroit City Council to commemorate a life lived in the service of music, community and connection.

I stood there on that familiar street, not just as the event’s host, but also as someone deeply connected to the man we honored. Amp was my friend. We were both raised in Conant Gardens, a neighborhood that has quietly birthed giants.

“To be part of this day wasn’t just professional. It was personal. It was a full-circle moment.”

–Chris Campbell, host, The Progressive Underground

He appeared on The Progressive Underground more than any other guest I’ve hosted in the show’s 13-year history — his spirit, warmth and fearless creativity made him not just a friend of the show, but by extension, a friend of WDET. To be part of this day wasn’t just professional. It was personal. It was a full-circle moment.

Amp was more than a master musician. He was a musical architect and a connector of generations. His fingerprints are on the sounds of Parliament-Funkadelic, Prince, Maxwell, Seal and Tony Allen. He infused Detroit soul into every synth line and groove he touched, creating an unmistakable sonic signature that made him a legend’s legend. But his true genius may have been the space he created for others.

It was in his modest home studio on Revere Street where countless artists gathered — where conversations turned into collaborations, and where a young James Yancey, better known as J Dilla, was handed his first MPC and a passport to change the future of hip-hop and neo-soul.

On this day, dignitaries, artists, family members, community elders and students came together to lift up Amp’s name and legacy. Councilmember Scott Benson opened the ceremony by reading the formal city resolution that first established Amp Fiddler Day and affirmed the renaming of Revere Street to Amp Fiddler Avenue.

He was joined by Councilmember Coleman A. Young II, who offered personal reflections, and Detroit Entertainment Commission Chair John Collins, who honored Amp’s influence on the city’s creative economy.

Poetic tributes came from internationally-renowned poet/activist/actor Mike-E (Mike Ellison), while Michigan State University faculty members Julian Chambliss, Mark Sullivan, Terra Goforth, Natasha T. Miller and John Collins offered insight into Amp’s cultural legacy.

Written words were shared from T3 of Slum Village, Ma Dukes, the mother of J Dilla and RJ Rice of RJ’s Latest Arrival, acknowledging Amp’s impact on their personal and professional journeys, and how he helped nurture a global movement through music.

But it was Amp’s wife and creative partner, Tombi Stewart Fiddler, who delivered the day’s most powerful remarks. Through tears and deep composure, she spoke of Amp not only as a world-renowned musician, but as a man who led with love, whose humility and compassion uplifted everyone he encountered. She announced the continuation of his legacy through the Camp Amp Foundation and stewardship of his estate, ensuring his work and vision will continue to nurture the next generation.

The program ended with nationally-renowned songstress Monica Blaire leading the crowd in a joyful countdown as the veil was lifted from the new street sign, officially renaming Revere as Amp Fiddler Avenue. Cheers erupted, and Amp’s music floated through the air as a soundtrack to a moment long overdue.

In a city known for birthing genius and too often letting that genius go uncelebrated, Friday’s ceremony stood as a righteous act of recognition.

Amp Fiddler was more than a sound. He was a force. A neighbor. A mentor. A beacon. Detroit showed up to say: We see you. We remember you. We honor you.

And now, every time someone turns onto Amp Fiddler Avenue, they’ll be reminded that love, art and community live on, in the city Amp helped shape, and in all the souls he helped set free.

Hey whatupdoe Detroit. Chris Campbell from the Progressive Underground here for my Pick of the Week. This week’s pick is a celebration, a meditation, and a tribute all in one — honoring the late and legendary Amp Fiddler as Detroit prepares to rename a street in his honor on May 16 in Conant Gardens, the neighborhood that raised him.

We’re spotlighting a soulful, soaring track from his 2003 album, “Waltz of a Ghetto Fly” — a record that blurred lines between soul, funk, electronica and cosmic jazz — and proved Amp was never just one thing. He was all things: keyboardist, composer, vocalist, visionary.

The track is “Possibilities,” and is exactly what it sounds like — a sonic reminder of what can happen when you let the groove lead and the spirit follow. Anchored by Amp’s signature Fender Rhodes textures, the song pulses with hope, elasticity, and Detroit soul grit. It’s aspirational without being naive. Funky without forcing it.

On this cut, Amp sings like a man channeling the future. His vocal phrasing is breezy but assertive, gliding over a broken-beat rhythm and elastic bassline that recall his time with George Clinton’s Parliament-Funkadelic and his collaborations with Moodymann and Theo Parrish. The track manages to feel vintage and futuristic all at once — just like the city that made him. 

Amp Fiddler didn’t just play keys. He opened doors. For artists. For neighborhoods. For young talent like the late J Dilla, whom he mentored. And “Possibilities” is an anthem for that mission: to stretch boundaries, amplify joy, and believe in what comes next. 

Let’s dive in — here’s “Possibilities” from the late Amp Fiddler, and its my Pick of the Week. 

Once again, that’s “Possibilities” by the late, great Amp Fiddler, from his 2003 album “Waltz of a Ghetto Fly” — our Pick of the Week here on The Progressive Underground. 

May 16 is Amp Fiddler Day in the city of Detroit, which this year comes with a street renaming in his honor. So from now on, when you turn onto Revere in Conant Gardens, just know the possibilities are still endless. Rest in rhythm, Amp.

“Flower Moon” – Durand Jones & The Indications

What’s good family — Chris Campbell here with The Progressive Underground, and it’s time for our Pick of the Week.

This week, we’re giving flowers to Durand Jones & The Indications — a group that’s been steadily defining the sound of modern soul for over a decade.

Their new single “Flower Moon” is a soulful, slow-burning cut off their upcoming album “Flowers,” which drops June 27.

Now if you’ve been following these cats — Durand, Aaron Frazer and Blake Rhein — you already know the vibe. They came up digging into Southern soul and gritty funk in a Bloomington, Indiana basement, and now they’re selling out shows worldwide — from Japan to the West Coast lowrider scene.

This new track pulls from everything they’ve built — solo projects, vintage grooves, modern polish — and delivers a mellow groove full of harmony, maturity, and deep-feeling soul.

Let’s get into it. Here’s “Flower Moon” by Durand Jones & The Indications — this week’s Progressive Underground Pick of the Week.

That was “Flower Moon” from Durand Jones & The Indications. If you dig deeply soulful tracks like this one, tune into The Progressive Underground — Saturday nights at 6 p.m. on 101.9 WDET. We serve up soulful cuts and choice selects hand-curated just for you. For The Progressive Underground, I’m Chris Campbell and until next time, stay soulful and stay tuned.

What’s up family? Chris Campbell here with The Progressive Underground, and it’s time for this week’s Pick of the Week. We’re shining the spotlight on Irene Renee — a vocalist, songwriter, and Detroit native whose journey through music is as rich as her voice.

She’s been singing since childhood, coming up in church choirs at Northwest and Glad Tidings COGIC in Detroit. She later took that love for music to Michigan State, where she danced, performed and eventually toured with MCM and the Hype Crew. After moving to New York, she hit the Apollo stage, sang at Café Wha?, and even plaudits and props from the New York music community.

Life took a few turns — motherhood, detours, comebacks — but the music never left her. Irene Renee re-emerged on NYC’s open mic scene, claimed wins in karaoke battles, and became a featured performer at the Sugar Shack and Zuppa Lounge. All of that led to the release of her independently produced debut album, “Serendipitous Experience.”

Her sound? Think Jill Scott meets Anita Baker with a twist of Cassandra Wilson — sultry, grounded, lyrical and real. We’ll dip into her musical vault and check out one of her signature singles. Here’s Irene Renee with “Smooth Step,” and its my Pick of the Week.

That was “Smooth Step” by Detroit native and soul songstress Irene Renee. If you’re feeling music like this, don’t miss The Progressive Underground — Saturday nights at 6 p.m. on 101.9 WDET. We serve up soul, nu-jazz, rare grooves, and b-side magic just for you. For the Progressive Underground, I’m Chris Campbell and until next time, stay soulful and stay tuned.

What’s up family? Chris Campbell here with The Progressive Underground, and it’s time for this week’s Pick of the Week. We’re shining the spotlight on Al Lindsey — a Detroit soul singer with a voice as smooth as velvet.

Born in Virginia and raised in Michigan, Lindsey first hit the stage while serving in the military, opening up shows for none other than Jimmy “J.J.” Walker from “Good Times.”

After his service, he came back to Detroit and broke out on his own, dropping solo projects since the late ‘80s, always keeping that classic soul vibe alive.

His latest single is called “It’s Gonna Be Alright” — and its my Pick of the Week. 

That was Al Lindsey with “It’s Gonna Be Alright” — pure grown folks soul for your spirit.

If you’re feeling music like this, don’t miss The Progressive Underground — Saturday nights at 6 p.m. on 101.9 WDET. We serve up soul, nu-jazz, rare grooves, and b-side magic just for you! I’m Chris Campbell. Stay tuned, stay soulful.

More from The Progressive Underground: 

• Pick of the Week (April 8): ‘Touching Toes’ by Olivia Dean
• Zo!, Tall Black Guy transcend genres with synergetic ‘Abstractions’
• Pick of the Week (Mar. 29): ‘2 Step in the Living Room’ by Terrace Martin & Alex Isley