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Eminem surprise highlights Big Ass Stadium Tour stop at Ford Field
The Big Ass Stadium Tour certainly lived up to its name on Sunday night, May 18, at Detroit`s Ford Field — even above and beyond Post Malone’s plus-sized headlining set.
The night’s headline was actually made by support act Jelly Roll, and hometown hero Eminem. The Tennessee singer and rapper declared Detroit his “second home” early during his fourth Detroit performance in 13 months, including at the Michigan Central Open concert last June and his own headline date at Little Caesars Arena in November. As usual he paid tribute to favorite singer-songwriter Bob Seger (“The GOAT”) with a bit of his “Old Time Rock and Roll,” and his rendition of Eminem’s “Lose Yourself” later in Jelly Roll’s hour-long performance appeared to be another homage — until the Detroit rapper came swaggering out during the second verse, prompting a response from the more than 46,000 fans that was as loud as a Detroit Lions’ touchdown (or Eminem’s July 13, 2025 surprise appearance with Ed Sheeran at the stadium).
Eminem bestowed greetings and left with a hearty, “I love y’all. Peace!,” after which Jelly Roll — who guests on Eminem’s latest album, The Death of Slim Shady (Coup de Grace), and also joined Slim Shady and the Detroit Symphony Orchestra on “Sing For the Moment” at the Michigan Central concert last June — gushed “that was a childhood dream come true.” Jelly Roll incorporated an Eminem Mom’s Spaghetti sign and the rapper’s reverse-E logo into his visuals for the occasion and also shouted out Eminem’s manage and Detroit native Paul Rosenberg for his support of his career.
That — along with anthems such as “Son of a Sinner,” “I Am Not Okay” and “Save Me — certainly threw down gauntlet for Malone, who answered with a diverse and, yes, big-ass two hours that spotlighted the unlikely, genre-hopping career the Texas-raised artist has pursued since his hip-hop beginnings just under a decade ago.
It would certainly have been hard to imagine that the Malone who performed as part of the Monster Energy Outbreak package during 2016 at the Fillmore Detroit would wind up fronting a version of Nirvana and topping the Alterative Rock (with 2023’s “Austin”) and Country (with last year’s “F-1 Trillion”) charts. But Malone has, and Sunday’s 26-song show certainly celebrated that latter ascent, from the country-style tailgate party outside Ford Field during the afternoon to the makeup of the crowd inside, the giant cowboy and cowgirl neon sculptures flanking the stage, the decidedly 10-gallon country opening acts (Chandler Walters and hoop-skirt sporting Sierra Ferrell) and even Malone’s honky-tonk worthy belt buckle and frequent swigging (of beers he ordered up from a crew member named Pat) from red Solo cups.
His brand of country has a swagger of its own, however, which Malone — in a long-sleeved Bob Dylan 1978 tour T-shirt and very tight jeans — exercised as he loped along a runway that stretched to the middle of the stadium floor and another ramp that took him to floor level on the right side of the audience, frequently flashing his metallic, diamond-encrusted smile. And while it took him nine songs in to get into “F-1” mode — with “Losers” and Jelly Roll coming back to recreate their duet on the album — Malone and his band delivered a generous half of its 18 tracks, back-ending the show with spirited roll through the likes of “Finer Things,” “Pour Me a Drink,” “Dead at the Honky Tonk” and the buoyant “I Had Some Help.” He also threw in “I Ain`t Comin’ Back,” his new collaboration with Morgan Wallen from the latter’s new album.
Much of Malone’s older material — “Wow.,” “Go Flex,” “Hollywood’s Bleeding,” “White Iverson,” “rockstar,” “Sunflower” and more — took on slightly different flavors in the context of the show, but he gave his hip-hop roots props, too, bringing on Houston rapper BigXThePlug for a rendition of his “Texas.” And Malone picked up an acoustic guitar (and lit a cigarette) for a solo acoustic rendering of “Feeling Whitney” followed by the tour debut of “Yours,” an “F-1…” song about his daughter, who he said was about to turn three years old.
Malone, whose father was a concessions manager for the Dallas Cowboys, poked at Lions fans during his show, playfully acknowledging the team as “the second best” in the NFL — even though the Lions beat the Cowboys 47-9 last October — before admitting to rooting for them after his team faltered.
The show was visually Big Ass too, of course, with a Fourth of July fireworks (from the get-go, during the opening “Texas Tea”) an abundance of fire and an elaborate video presentation with screens positioned throughout the stadium. Malone saved his best stunt for the very end, singing “Congratulations” in an elevated cage of light at the back of the floor; it should have been positioned earlier, however, as a great many fans began exiting after “Sunflower,” while the band jammed as Malone worked his way to the prop.
Nevertheless, you’d be hard-pressed not to be impressed with the stylistic breadth of Malone’s musicality and his aw-shucks genuineness that, 13-letter epithets aside, owes more to country than any of the other genres he dipped into. “Congratulations” were certainly in order.
